Philip Lorca Di Corcia

   
 




 

Following his Hustlers and Streetwork series, Philip-Lorca diCorcia's Heads is his most recent body of work. Taken in New York City, each image advances the traditions of street photography and candid portraiture developed by Paul Strand, Walker Evans, Harry Callahan, and Robert Frank.

Though taken in the bustling Times Square area of New York City, the photographs are comprised of very little subject matter other than a tightly cropped head and the seemingly meaningless objects surrounding it. Under close scrutiny, these small details (pedestrian trappings of contemporary culture such as bottled water, designer sunglasses, earphones, polka dot "power ties") take on tremendous importance as icons of our time.

 

 

Philip-Lorca di Corcia has been working since the end of the seventies. At first he concentrated his work on those close to him, then opened up slowly to the outside world, urban American society and then other countries, with the uncompromising perspective on human involvement in the workings of society and vice versa evident since his first collection 'Family and friends' (1978); his photos always being of faces or people.

Philip-Lorca diCorcia also sometimes works "for hire" for advertising campaigns or fashion magazines such as 'W'. Most notably he created a series of stories which were published in `W'. Some of the photos never made it into the magazine as the artist chose to keep them himself. Philip-Lorca diCorcia chose a certain number of these photos, whether they were published or not and these pieces are now part of his collection. The pieces in question give off an amazing strength in terms of their aesthetic quality their ambiguity their smooth luxurious perfection is warped by the sharpness of their revealing portrayal of men and women, all pertect illustrations of the dream or nightmare which results from the current ideal of beauty and success. They give off a tension which comes perhaps from their two-sided effect, one that is both illustrative and critical of commissions accepted and over-ridden at the same time.


W, Sept. 1999, #13

Philip Lorca Di Corcia • Santa Monica Boulevard ......

postmedia ...... Pace Wildstein, New York ...... Almine Rech, Paris