Erwin Wurm, one of Austria's most
important and internationally famous sculptors,
has been preoccupied with expanding the concept
of sculpture since the 1980s. In his "One
Minute Sculptures", for example - temporary,
grotesquely comic works - he invites the
spectator to become a sculpture, even providing
various kinds of accessories for the purpose.
What remain are photographs or videos showing a
single moment in the short life of these
sculptures. Erwin Wurm's utilization of the media
of photography and video is highly distinctive
and enables him to include not only the classical
parameters of sculpture - gravity, weight, static
equilibrium, stability, materiality, form - but
additionally the parameter of time. Human bodies
in combination with objects and positions they
can only hold for a few moments are an ideal
means of extending sculpture into the realm of
the media. This volume, "Fat Survival",
illustrated mainly in colour, provides a
condensed survey of Erwin Wurm's work since the
early 1990s.
Erwin Wurm
at the CNP, Paris
The Centre national de la photographie in Paris
shows works by the Austrian artist from May 29
until August 28, 2002.
During the last seven years, Erwin Wurm has
created a complex series of videos, photographs,
and performance works in which a variety of
simple, yet bizarre, actions are depicted.
Collectively titled "One Minute
Sculptures", the works show the artist or
other performers - often volunteers solicited
through newspaper ads - carrying out peculiar
feats in unusual settings. In one, for example, a
person dives head first into a crate with their
legs flailing jack-in-the-box style; in another,
someone does push-ups on four teacups; while in
yet another, a regular-looking man in a suit
stands with two strands of asparagus stuck up his
nose. Although staged with a conspicuous absence
of special effects, these scenes nonetheless
propose an "otherness" of meaning or
intention that, while difficult to pigeonhole,
captures both the eye and the imagination with
great potency.
from: Maia Damianovic 'From Moment to Moment',
in: "Erwin Wurm"

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"The
act of dealing with sweaters, putting them on and
taking them off, is hardly ever perceived
consciously. When the object, i.e. the sweater,
is stretched so that the body of the wearer can
find its way into this envelope, when it shrinks
so as to adapt to the body's contours and to
create a shape or a lack thereof, an essential
plastic process takes place."
Erwin Wurm
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